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I
designed my first glass in Åfors in 1972. Erik Rosen, who had
seen my ceramics and followed my development in the work with clay,
asked me one day to do a romantic series. I wasn't too keen about glass,
because of the fact that you can't touch the burning-hot melted material.
The lovely thing about clay is that you can stick your thumbs in it
and do exactly what you want.
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